By Deanna Hammond-Blackburn
On
this DPS all of the left page and two thirds of the right page are taken up by
a full shot image of the band Muse. The 3 men are in the middle/ to the left of
the image, with the dark but colourful background of lights at a stage set taking
up the rest of the photo. The men themselves are all stood in casual poses and
dressed in smart/casual dark clothes; with the background being dark and also
their clothes being dark it suggests that the set of their gigs directly
represent them and the style of their music, however the bright colours also
represent their music and personalities. The magazine, similar to that of Clash
and Q, focuses on the emotional and mental side to the men rather than their
physical attributes, this representation is commonly seen through this genre of
music magazine and we should definitely conform to this convention in our own
production. All the men are in direct mode of address.
In
the background there is what seems to be and upside down pyramid, which is a
polysemous symbolic sign. Typically, a pyramid signifies power structures and
knowledge, therefore by having an inverted pyramid the signified meaning
changes slightly. Now, the representation is about the band’s personality and
how they are intelligent but seem to portray themselves as breaking stereotypes
by not conforming to traditional power structures.
In
the top right of the image is a caption, in red and white, saying; ‘Three men
and a little tour. Dom, Matt and Chris prepare Wembley.’ The red and white
links to the main text. By saying ‘prepare’, this suggests that this gig will
be huge as it is taking a lot to set up, further representing the band as
hard-working people who enjoy their jobs.
Covering
the image on the left page is a pulled quote; ‘It began as a sketch on a
napkin…and evolved into ninja suits, a giant robot face and a shape-shifting
pyramid that eats the band.’ This leads on to the anchorage text, ‘Muse give
Tom Howard an exclusive behind-the scenes look at their maddest tour ever’. The
pulled quote is in capitals and a large white sans serif font, the white
contrasts against the dark background so it is very clear and
eye-catching. There are also signs in
the pulled quote, according to Barthes theory of Semiotics, ‘napkin’ could
signify the appeal to the western world as napkins aren’t commonly seen in more
third world countries, and ‘sketch’ could signify how the band is artistic,
spontaneous.
The
start of the article is shown by a large red dropped capital. This looks quite
sophisticated as it relates to the lead on the other page; this is a good
technique to give the DPS consistency that we should consider using in our
product. The red signifies danger, passion and love – these are all
representations of the band and their music style.
The
register of the text is casual and consultative, although it is an interview,
colloquial language is used; ‘basically the whole thing looks f*cking amazing.
’ This makes the article more relatable and it appeals to the audience; older,
middle class people. Although there are
colloquialisms, the tenor is still quite polite.
This
DPS is taken up mostly by a full shot image of Pete Doherty, with
some text in the top right. The whole DPS is in monochrome and is
looks slightly sepia in tone. This gives the whole image a feeling of
nostalgia which represents Pete as quite traditional, perhaps
old-fashioned, and that he is holding on to the past somewhat. Pete
himself appears very dark; his clothes, hair and make-up are all
black; this could be a direct representation of his music or his
mental state. His pose is very casual; he is laying down and smoking.
This portrays him as being rebellious but quite laid back. Similar to
the other magazines, Clash have focused more on his personality and
music than his physique by showing him fully clothed and also wearing
make-up. Typically a more feminine product, the make-up helps present
his personality. This is a convention of this genre of music magazine
that we need to adhere to in our representations. The background is
mostly cream/white which contrasts with the darkness of Pete himself,
this could represent his purer and lighter side, by keeping it in the
background it suggests that this isn't part of is personal image. You
can see curtains in the background too which suggests secrecy and
blocking things out.
In the
image, signs are used to give subtle representations. The cigarette
could signify his lack of caring for his health, it signifies
addiction – a more subtle representation of his addiction to his
music perhaps. His tattoos are also signifiers, they appear to be
foreign symbols of some kind, this could signify ambiguity – how
some people might not understand him.
On the
left hand page there is a pulled quote; 'I'm still definitely finding
my feet with the music. There's still a lot in there that's dying to
get out and never has.' This anchorage text relates directly to the
image as Pete looks like he could be dressed for a funeral or dressed
as death itself. He also says 'finding my feet', in the image his
feet are cropped out so this signifies how his fans won't understand
him until he understands himself.
The
typography is simple, the pulled quote is a serif font in white,
while the main text is sans serif font. The register of the article
is consultative and casual, this is a convention in this genre of
magazine which we need to apply in our product. The tenor is also
quite polite due to the consultative register and interview nature of
the article. This is also a convention of these music magazines that
need to be used in our magazine.
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